Volvo Trucks – The Chase

Volvo Trucks – The Chase – See this fantastic video at full screen

Sunday Tittle Tattle: Editing a Novel in 75,000 Easy Steps

editing a novel

I wrote a novel, years ago, when I was doing my Master’s Degree, and I thought that it was about time I finished it off. Because what sort of madman writes a novel and then does nothing with it? We’re talking  over 160,000 words here; admittedly it’s not War and Peace, but it did take a bloody long time!

So this week I set about editing my novel. At first it was very exciting; it was like reading a book written by someone else, because – although I remembered the basic plot and the essential facts about the characters – I had completely forgotten most of the finer details. Twists in the plot would take me completely by surprise, bits of dialogue made me laugh out loud; it was like being reunited with an old, familiar friend but having to re-learn all of their quirks and idiosyncrasies.

And then things got rather difficult. And I suddenly recalled why I had shelved the blasted book in the first place; I had managed to tie myself into a tangle of plot-lines that made absolutely no sense, and trying to unpick it had evidently been far too much effort. Sitting here now, with the draft versions of chapters 21 to 31 minimised on my desktop and with three new documents entitled “New Plot Plan”, “NEW New Plot Plan” and “NEW New Plot Plan 2” open in front of me, I can tell you that attempting to untangle nearly a third of a novel is as frustrating as wading through quicksand with sieves on your feet.

People refer to “editing” as though it’s one step, but I actually think that it’s far more complicated and lengthy than the writing stage. Writing is thrilling – the world (or blank page) is your oyster. You’re creating new characters and new settings, you’re imagining events and shuffling everything around at whim, you’re killing people off left right and centre, cutting their strings like some sort of despotic puppet master. I now see that the editing process is more akin to a clean-up job than anything else. It’s the Glastonbury aftermath. It’s a caretaker going into a student common room after the sixth form have had a boozy leaving party – rolling his eyes as he finds sick on the ceiling and a pair of lacy pants pinned to the dart board. It’s Winston Wolf in Pulp Fiction sorting out two buffoons in an out-of-control situation. As I plough through my drafts, I feel like the only adult on a toddlers’ trip to the zoo – I’m trying to watch multiple stories unfold whilst keep a grasp on the main event and at the same time stop a gang of unruly two year olds from falling into the bear pit. I have characters who have been left swinging from the monkey bars with no way of jumping down, plot-lines that have run away into the distance with totally unsuitable partners and an overarching problem with my theme, which appears to have drunk a bottle of whiskey and fallen asleep in an empty bathtub. All of these things need reining in but I can’t change one thing without having to retrace all of my steps and amend everything else. This editing lark isn’t a one-step process, it’s about 75,000!

Anyway, I’ll update you when it’s all done and dusted. It’s possible that nobody in their right mind would ever want to publish thirty-ish chapters of farcical mayhem, but only time will tell. Maybe I’ll publish it on here, chapter by chapter, like they used to in the Victorian times. Ooh, that would be a troll’s dream, wouldn’t it? Imagine the comments! The one thing that is keeping me focused is the fact that I’m using my old Macbook Air to edit on – it’s not connected to the internet (would be easily done but can’t be bothered to find the code) and so distractions have been kept to a minimum.

(For those who are interested, the MA I did was at Royal Holloway. You need to have a first degree already to be considered, but if you don’t have a degree and want a brilliant creative writing course to get you inspired and (more importantly) productive, then I can vouch for nearly all of them at the Open University. I got quite addicted to their courses and they are usually online, which is always convenient.)

The post Sunday Tittle Tattle: Editing a Novel in 75,000 Easy Steps appeared first on A Model Recommends.


© 2016 A Model Recommends®: all opinions are my own and any sponsored or paid posts will always be very clearly marked. I accept press samples and receive product and services to review as part of my job. Outward links to retailers will usually be affiliate links. Please see here for full “about” section and disclaimer.  A Model Recommends and Ruth Crilly are registered trademarks.

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Dolce & Gabbana’s Beauty Voyage Palette: No Kermit Green Here

Dolce & Gabbana Beauty Voyage Makeup Palette

Everything about this Dolce & Gabbana Beauty Voyage makeup palette is just so spot on – even the outer box it’s packaged in is gorgeous and eyecatching. I’m possibly biased, because I’m very partial to a bit of animal print, but it definitely stands out from the usual luxury makeup offerings.

Dolce & Gabbana Beauty Voyage Makeup Palette

And the animal theme continues inside; a beautifully-crafted palette with a heavyweight feel and perfectly finished trim. It’s not quite palm-sized, but easy enough to slip into a small handbag, so convenient and portable but still large enough to house the required makeup bits without being too fiddly.

Dolce & Gabbana Beauty Voyage Makeup Palette

Four eyeshadows (all wearable shades, no awful Kermit greens or sparkling purples) alongside a universally flattering blush, illuminator and two wisely-chosen lipsticks. A pinkish nude and a killer red. So two classic Dolce looks covered, then – the sultry red lip with perfect, glowing skin and the nude lip with sexy, smokey eyes. Which are, let’s face it, the makeup looks that most of us default to. You can never go wrong when you keep it to the tried-and-tested…

Dolce & Gabbana Beauty Voyage Makeup Palette

There is really something very special and decadent about the Beauty Voyage palette; the case is so beautiful that (and I know this is becoming a cliché but I’m going to say it anyway) it’s almost a shame to use the makeup inside. I love the addition of the animal-printed lip brush, though the foam eyeshadow applicator on the other end makes me want to stab myself in the eyes repeatedly out of sheer frustration. When will people stop with the foam? Have you ever seen a makeup artist use a foam applicator? I tell you what they’re good for, though, and that is – er – sorry, no. Nothing comes to mind.

The foam is forgiven, though, because everything about this little collection has been perfectly thought-out. If you’re a beauty enthusiast and want something that’ll make you feel like Sharon Stone in Casino then pop this on your Santa list. It’s a proper, expensive treat – definitely not “stocking filler fodder” – but unlike some palettes and compacts I’ve seen recently, it’s of the highest quality and feels and looks suitably luxurious. Importantly, too, the shades are all flattering and wearable which means it’ll actually be useful to carry about and not just a showy bit of handbag eye candy.

The Dolce & Gabbana Beauty Voyage Make-Up Essential Palette is at Harrods and costs £105.

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FeelUnique Infographic

Infographic

Infographic

FeelUnique.com recently commissioned an infographic based on studies around how and why women buy their beauty products. I think it tells us what’s been staring us in the face (and certainly if you follow the beauty industry, it’s been blaringly obvious for years) – that women don’t trust celebrity beauty endorsements. They trust other women!

At the same time, L’Oreal has put in place a manifesto to include using more ‘real’ women rather than celebrities – along the same lines as Dove. They’ve got a cringey video to ram home the point that it’s #beautyforall. I could nearly cry for them at how wrong they’ve got it – two minutes of really, really slim and beautiful women (okay, there is some multi-ethnicity in the mix) and a few ruggedly handsome and buff men, and literally 2 seconds of an older couple. It’s so mind blowingly removed from the very thing they’re trying to portray. They just can’t quite brave the thought that real women are not always ‘classically’ beautiful, don’t spend their lives running in white gauzy clothes across beaches or regularly stare wistfully at sunsets through a well-mascara’d eye. It’s HERE.

And yet, real women WORK at L’Oreal. You know, the ones like us, with shadows under our eyes, a spot or two, a few extra pounds where we don’t really want them, and dreadfully frizzy hair when it rains. It’s not like there isn’t any real woman reference to draw from even if the creatives never set foot outside the doors of L’Oreal. Pretend real women isn’t the same as actual real women.

The FeelUnique infographic also picked up on something that is a personal interest of mine – the emotional connection that women have with brands and products. It’s crucial. Bloggers instinctively know how to connect emotionally – because they’re, er, real women, really using the products and really loving or loathing them. They’re the embodiment of emotional connections with beauty.

85% of American women don’t trust celebrity endorsements. That’s a lot. Ads using celebrities find them only 2% more enjoyable than those that don’t. Tell that to Chanel and the $6.5 they paid Brad Pitt to be the first male face of Chanel No.5. It’s maybe something to note that if you are super-successful as a blogger or YouTuber these kind of stats are a warning to keep it very real and not tip over into the current perception of celebrity. Maybe.

61% of blog readers have bought on recommendation (as opposed to 33% of Facebook users and 31% of Twitter users). And here’s us, not skipping skinnily across a sand dune but still taking the lions share in influencing the world of beauty and economy. For the record, according to the infographic, blogs are x2 more likely to have influenced a beauty purchase than magazines. And there are a hell of a lot more blog views than there are magazine readers.

If you ever have a moment’s hesitation that your blog isn’t part of something very special or that what you’re doing isn’t being noticed, check over those stats again, have a little giggle at the #beautyforall campaign and realise that as a real woman (or man) you’re holding the world of beauty in your hands.

The post FeelUnique Infographic appeared first on British Beauty Blogger.

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