The Truth About The Harry Quebert Affair.

summer holiday novel review

If you’re looking for that all-absorbing read to see you through your summer holiday then look no further: The Truth About The Harry Quebert Affair is it. It’s totally unputdownable. The twists and turns in the plot might have you banging the book against your forehead at times and the sheer length of the story might feel daunting when you reach the halfway point, but it’s all written in such an easy-going, comical style that it’s difficult to find a safe place to stop reading. This whopper of a novel is the closest you’ll ever get to a “friendly” murder mystery; there are dark happenings, certainly, but the cheery delivery and the almost Disney-esque qualities of the setting and the characters mean that you could read this book locked in a crypt with a flashlight and still not feel too anxious.

The Truth About The Harry Quebert Affair follows a young writer, Marcus Goldman, in his quest to clear the name of his friend and writing mentor, Harry Quebert. The body of a fifteen year-old girl has been found buried next to Quebert’s house and he is arrested for her murder, but as the investigation gets underway, Goldman begins to unearth some very dark and disturbing secrets. And nothing is ever quite as it seems in the Harry Quebert Affair (shall we call it HQA just to save my typing fingers?); the novel has more dead-ends and wrong-turns than a sadist’s maze. People are wrongly accused, others are acquitted; fathers cover for their daughters, mothers (both living and dead!) seek revenge and dole out punishments… If the author, Joel Dicker, didn’t have such a fine way with words then the whole thing would be very depressing indeed. As it stands, Dicker has the ability to make even the most painful sentence seem almost chirpy – he has that happy, simple writing style that doesn’t try to be clever or overly poetic. He just tells the story.

book review summer holiday best reads

I make that sound as though the actual framework of the novel itself is simple: it’s not. I won’t try and hide the fact that the structure gets a little complicated, but it’s one of those novels that requires you to put your entire trust in the writer. Don’t try and double-guess, don’t fret that the author might have failed to explain something and that you’re missing a trick, just keep on ploughing through. Things get very interesting, especially in part three – there’s even a chapter that you probably wouldn’t want to read whilst locked in a crypt…

Some may hate the way this novel has been pieced together – it jumps backwards and forwards in time and there are extracts from novels and novels-within-novels as well as a whole jumble of police reports and investigation notes – but I found that it kept the pace nice and choppy and gave the book a bit of momentum. It’s a long, long story after all. It could have become quite monotonous. Some may also hate the endless red herrings that are thrown in and the way that the plot wraps itself up; I’ll agree that it feels a bit clumsy in places, but I think that most will rip their way through this novel at the speed of light, as I have done, and be quite sad that the whole affair has ended. I became quite engrossed in the little lives of the characters and the sleepy town of Somerset and I always think that it’s a sign of a good book if you miss the people in it once your reading is done. I miss them already and I’ve even added a new character to my Favourite Literary Characters of All Time Hall of Fame: Marcus Goldman’s mother. You’re going to love her.

You can find The Truth About The Harry Quebert Affair at Amazon here. Prices start at £2.59 for the Kindle version – I have the hardback, but it is quite a heavy old tome to cart about!

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MinMax Beauty Interview and Random Vlog…

model minmax magazine

I completely forgot to link to the interview that I did for MinMax Beauty earlier on this week – if you want to see the actual magazine shoot and official behind-the-scenes video then please click here, but if you’ve already seen those and want to read my interview then you can do so by clicking here. I chat about everything from beauty disasters to modelling tips.

MinMax Beauty: We get our hands on ‘A Model Recommends’…

I made a bit of a random vlog when I was at the MinMax shoot; it was so nice not to have to worry about getting proper content (we had a videographer present) and so I concentrated on just speaking gibberish and recording nonsense. So here you see me attempting to clean my face with a dish-scourer and chatting away about dead bodies and how they can be turned into diamonds… I’m really trying to remember to vlog more, but I have to admit that I struggle with it. Partly because I’m always quite busy, but mostly because many of the people I spend my time with “off duty” couldn’t think of anything worse than appearing in a Youtube video! Which is somewhat limiting. Mr AMR has offered to be in my videos wearing a mask or a full gorilla suit, but I can’t see how that would solve anything…

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My Brigitte Bardot Makeup Look

ruth crilly brigitte bardot

This year Max Factor are celebrating 100 Years of Glamour. It has been a whole hundred years since Mr Max Factor (real person!) launched his first ever cosmetic, his Flexible Grease Paint Foundation. Max Factor was a bit of a mover and a shaker in the makeup world; he was a big Hollywood makeup artist, working on all of the most famous actresses on the most important film sets – think Ava Gardner, Jean Harlow and Marlene Dietrich. He also created loads of groundbreaking products that could stand up to the intense heat of the movie lights and the long days on set. If he was around now, no doubt he would have a reality TV show called Extreme Hollywood Makeup: Can It Take The Heat? Max was the first to develop many of today’s important cosmetic items, including Lip Pomade (later known as lip gloss), waterproof makeup and non-smudge, or indelible lipstick. He developed that in 1940. 1940! Quite incredible when you think that brands are still working on improving the lasting-power of lipsticks now, with all of the technology and research they have access to.

gwyneth paltrow decades looks

In celebration of this 100 Years of Glamour, Max Factor have released a series of images with Gwyneth Paltrow, recreating iconic beauty looks from throughout the decades. Audrey Hepburn from the fifties, Brigitte Bardot the sixties, Farrah Fawcett sexing it up in the seventies and good old Madonna, Queen of Reinvention, representing the eighties. Max Factor asked me to pick my favourite and create my own interpretation in a video tutorial, and you might be able to guess who I picked… Actually, maybe you won’t! Because it was quite a difficult decision; I was torn between Brigitte’s sultry, sex-kitten eyes and Farrah’s golden-hued, glowing skin. A Bardot/Fawcett hybrid would have been my ideal face, but I could only choose one and so after some deliberation, I plumped for Brigitte. Not only because she’s one of my all-time beauty heroes, but because I really wanted to get some practice in with my liquid eyeliner. I’ve been trying to perfect the “feline flick” for quite some time, now, and this gave me a good excuse to sit down and really get to grips with it.

ruth crilly makeup tutorial

You can see in my video tutorial that actually, once you slow down and stop panicking, the feline flick isn’t too difficult to do at all. I think that the secret is not to try and do the whole thing at once; line close to the lashes first and then draw out to a flick, using the contour of the lower lashline to guide where the flick will end. I mark the end-point of my flick with a little dot of liquid liner (I used Max Factor’s Colour Xpert Liner for this, which worked perfectly – really jet-black and non-budging!) so that I know what I’m doing before I start and don’t get my knickers in a twist. Watch the video, anyway, hopefully you’ll get an idea of how I construct the flick in a few different steps.

ruth crilly eyeliner tutorial

My other star product in this tutorial is the Lipfinity lipstick in “Always Delicate”. I must remember to do a separate post on this liquid lipstick, because it has incredible staying power and manages to be non-drying at the same time. It comes with two parts, a kind of liquid stain and then a topcoat balm to give a bit of shine; in the video, I just pat on the lipstick and it gives a gorgeous matte, soft-focus effect. Apparently this shade is the one used at the Victoria Beckham AW14 show and I can see why; it’s the perfect pinky-nude that’s just the right amount of girly. You can see all of the products used to create my Brigitte Bardot look in the video; it’s a very straighforward, minimal-product kind of face.

ruth crilly makeup video

I barely use anything on the skin – just Max Factor’s CC Cream to even out my skintone and a bit of Mastertouch concealer beneath my eyes to keep things looking bright and clean. It’s really all about the eyes. Dark, smouldering liner (I smudge a bit of kohl into the lashline before using the Color Xpert liner, and I also use the Trio of eyeshadows in shade 1 to give some depth of colour to the eyelids) and then lashings of 2000 Calorie mascara in “Black Brown” for a retro feel. I did finish off my look with false lashes, but to be quite honest, you could easily get away with just a few good coats of the 2000 Calorie. Far less fiddly than falsies!

You can find all of the products mentioned in the video at Boots.com – here’s the full list: CC Cream in shade 75, “Tanned”, Mastertouch Concealer in shade 301, Max Colour Effects Trio Eyeshadow Trio in “Coco Crazy”, eyeliner kohl in 020, Colour Xpert Liner in black, 2000 Calorie Mascara in Brown Black, Lipfinity lipstick in “Always Delicate”.

Right, here we go; watch the video for the full step-by-step! Try not to get me mixed up with the real Brigitte Bardot, won’t you? And if you’d like to see a recreation of the Audrey Hepburn look from the fifties, Anna from ViviannaDoesMakeup has posted that up here. Which of the looks would you go for? Do you have a favourite “beauty decade”?

*This video and post have been sponsored as part of my work with Max Factor and the 100 Years of Glamour campaign.

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